100 Years Fashion Cycle, part 1

A series of most amusing realisations led me to these posts. 'Twould seem that, once a century for the past three centuries, the same general shape keeps popping into clothing, often in the same decades. I am giving general dates in decades; the idea is to see how silhouettes have changed (or not), not to get precise historical information. For that, you need Pinterest. All photos were selected from Google; I have no idea who took them; thus I give credit by warning that I'm not going to give credit.

Without further ado,

The 1750s 

The 1850s

The 1950s

If I have time, I might investigate the poofy hair trend next time. Also, watch out for bustles!

Catie's Yummy Rice Stuff

...or, I I prefer to pronounce it, risotto. I first made this with America's test kitchen recipe (the variation with chicken, of course). I made it twice with that recipe, come to think of it, both times successfully, and then I abandoned the book (I am too much like my mother to follow a recipe for long).

*INSERT BEAUTIFUL VINTAGEY HEART-WARMING IMAGE OF RISOTTO HERE*  

I think it looks nice, don't you?

Anyway, enough with my aspiring (expiring?) photography skills. I made this at Christmas for the lot of us (a most delightful occasion), and had the pleasure of hearing it called all manner of names, which will not be repeated here (ricotta! chicken and rice soup, indeed!). Since I made more than usual, and apparently was in too great a hurry (Anthony Andrews was saving the Dauphin, people! How could I concentrate? That's what comes of having TSP playing during food prep) to measure my liquid or my cooking times adequately, the rice turned out a bit crunchy in the center. *I* didn't mind--I was happy in my knowledge that Percy and Margot were reunited--but it led to some conversation with a very wise person after lunch.

Wise one: That was good, but nothing beats a good old [American] chicken and rice soup.

Me (in a huff): Well. Italians have been eating risotto probably longer than America has been in existence.

Wise one: It should have stayed in Italy, then

Me: Italian immigrants brought it to America--

Wise one: You know why they came over here?

Me: Sure.

Wise one: I'll tell you. They were tired of eating risotto!

Ha. hahaha.  Joking aside, here's the 'recipe.' If you want something more useful, go to this link http://www.epicurious.com/recipes/member/views/ALMOST-HANDS-FREE-RISOTTO-WITH-PARMESAN-AND-HERBS-AMERICAS-TEST-KITCHEN-50122790

CATIE'S YUMMY RICE STUFF 

5 cups of chicken broth, diluted with water as needed (sometimes we use homemade broth, which is way stronger than store-bought)

2 cups of rice--they recommend Arborio; I find it a bit pricey, so we buy huge bags of sushi rice. Great stuff to have on hand.

1 onion, chopped. This is what gets the family interested.

1 garlic clove, squashed and maneuvered into acceptable texture. I have omitted this before, without disastrous results. If the onion didn't get everyone interested, this will.

1 cup white wine. Gasps and horror. I usually just use extra broth; my attempt with a bit of wine vinegar and broth went awry because Mom stores regular vinegar in the bottle, and I didn't both asking. That was interesting.

A nice bit of butter--to cook the onion in, and add towards the end.

A nice bit of chicken. I always skip the browning stage recommended in the book because those horrible frozen chicken tenders we buy don't brown well. at all. Often, if we have any leftover shredded organic chicken, I use that. You know how much you like.

Some rather nice herbs--chives, parsley--whatever. Basil is particularly lovely. I've used mint too; it was not quite so popular, but I liked it.

Lemon juice, if you like

Quite a bit of Parmesan. I cheat and use 'green cheese,' that is, the stuff in the canister. I have also cheated and used a bit of mozerella, monterey, cheddar, pepper jack, etc., on those occasions when I discovered that my shaking the container would not result in any more parm coming out of the container. I never measure cheese or herbs, as I'm sure you've noticed--eyeballing is a useful skill here, even if it sounds gruesome. The more dairy the better, folks. Generally speaking.

1. If you are using brownable chicken, get out your rather large pot/pan/bathtub and brown your chicken. This is where you will cook the whole darn thing, so be careful in thy selection.

2. While you are burning the chicken, get out a smaller saucepan and unceremoniously dump your brothy ingredients into said vessel. Season it with salt, pepper, Mrs. Dash, whatever. Bring it to a boil, fast.

3. Remove chicken and place into brothy substance. Cook until it is no longer objectionable. If you used stupid frozen tenderloins you probably already boiled your chicken in trying to brown it. Remove when it's done, but while you're waiting,

4. Haphazardly throw your onion into the browning--making that blackening--pot, and stir it. Or call stir-happy relative. Thanks, Lu.

5. Wildly 'measure' your rice out, if you haven't already (shame on you!) and remember that you forgot the garlic. Furiously mince garlic and add to pot with now-browned onion. This is where everyone says, "wow! that's smelling great! whatcha cooking?" and you growl.

6. after 30 seconds of garlic bliss, dump in rice and hand spoon over to stir-happy relative. Thanks, Lu. 

7. After peering suspiciously at the cooking rice grains, to see if they're translucent, add your 'wine' (*wink wink*). Once the rice is done absorbing that, pour in your most of your brothy stuff. You did take the chicken out already, didn't you?! Set a nice loud timer for 16 minutes, pop on the lid, and don't forget to turn the stove to low. Trust me. Go watch Percy being wonderful, perhaps sending in stir-happy relative twice during the cooking time. 

8.  Get up and tell family to clear and set table. If you don't do this now, with adequate urgency of tone, your food will be cold before you eat it. ugh.

9. Add about a cup of broth and stir. The recipe says to stir gently; I don't see how that's possible with this thick stuff.  Get a cement mixer on the job, and add your cheese. Cover and let it stand--or sit-- off the heat for 5 minutes or so. THIS IS YOUR LAST CHANCE TO CHECK ON THE TABLE-SETTING PROCEEDINGS. 

10. Stir in your herbs, lemon juice, and butter. If it seems too thick, add some more broth. Announce that dinner is ready, and you don't intend to eat cold food. 

Bravo. You have made risotto (and I made a rhyme--aha!). 

Notes:

This stuff reheats very well indeed, with a bit of butter, in the microwave.

We've had it without the chicken, with some nice steaks. Yum.

I've been told that it can be frozen and used as a base for *cough* soups.          

  

Just a Note...

There's a Christmas concert a-brewin' 'round here.  Last year, as many of you know, we three sisters (sounds like a song title to me) and Gabbi donned red formals, practiced (though not nearly enough), and performed some songs for a selected audience at one of the most prestigious venues in the country.

This year, we're a bit more ambitious. Our lovely piano teacher has agreed to record some music for us, and there's been rumor of a violin player. Needless to say, I'm a bit excited--so of course, I did the logical thing and put it on the internet. As we all know, thanks to Blimeycow, posting something online makes it official. 

He looks festive, doesn't he?

Here's the current song list:

Ding-Dong Merrily on High

Mary's Boy Child

Hark the Herald Angels Sing/ Joy to the World

Believe (not the TSP version. sorry, folks.)

Silent Night

Home and the Heartland

The Lord's Prayer

Carol of the Bells

Tomorrow Shall be My Dancing Day/Lord of the Dance/Gaudete!

Walking in the Air

The Prayer

A Blessing

Wexford Carol

Adeste Fideles

O Holy Night

Here is the link to my Youtube playlist for it--had a hard time finding the right version for some of them, as I'm sure you'll notice.

Oh, and this year we're adding two more things:

One is a fancy-shmancy name--Vanyalin. (It looks better in a cool Elvish font)

and the second is Emery. Thus, the concert this year might look more like this: 

Whaddya think? :)

This is Where You Yell in French, or, "Storybook"

Warning: the following post contains a serious amount of what I call philosophical silliness, which is trying to discern too much meaning from something the culture produces. I do this a lot--kind of like those medieval theologians who go crazy with analogies, only I'm not as smart. Also, the original context for this song is not nice (nice: refined, lovely). If you're fine with PotO, you're probably okay with this (okay as in your filter levels are adequate to handle this). If not, ask your parents. :D How's that for a disclaimer?    All right. Onward, ho!

Like "Vivez!" when I first heard this song, I liked it very much. I recall a dear friend, upon listening for the first time, sighing, "I know exactly how she feels!"  She was joking, of course, but perhaps with a grain of truth.  Those of us who read too many novels (especially about dashing Englishmen who are alter-ego heroes), tend to find ourselves "Flying, sighing, 'where, where, where is my storybook ending?'"  (C'mon, you know you like that line, even if you hate the rest of the song). In other words, we sometimes find ourselves falling prey to escapism, that is, desperately wishing we lived in another time, another world, or just another place. This is hardly healthy--and I think that this is what this song is about. 

Unfortunately, my initial positive impression of this song was marred when I read the plot of the musical--in this scene, Marguerite has tossed aside her trust in the Scarlet Pimpernel (this seems to run in the family!) and gone to Paris to try to save Armand. She sings this song in a not-so-nice venue, dressed as a not-so-nice 'lady' (thinking Les Mis song title kind of 'lady,' here), trying to get information from a bunch of soldiers about her brother.

I know, I know. Ridiculous. This scene renders Marguerite as unlikeable as Armand-from-the-movie. 

Once I realised this, I started subconsciously redefining 'love' as it would be taken under the context (hardly Platonic, shall we say), and that kind of ruined the song.  I tell you, English needs about ten more words than it has for 'love.' And French is even worse!

However, I recently discovered that in the new versions of the show, this is one of the first numbers--Marguerite St. Just is singing it onstage in her play. Now, I'm not saying that all plays are lovely--see the scene above--but somehow the oh-so-elegant white poofy gowns (they must be white and poofy!) and the pretty set--the completely different context--seem to imply a different meaning to the word love.

of course, I imagined something a bit more like this...

than that ^

 Of course, this might apply: 

     “It is wonderful how Virtue turns from dirty stockings; and how Vice, married to ribbons and a little gay attire, changes her name, as wedded ladies do, and becomes Romance." ---From Charles Dickens' Preface to Oliver Twist, printed in 1841

...but I don't think it does, here. Context is important. 

Thus, if the singer is acting inappropriately, the song is interpreted differently. On the other hand, if the singer is just (just, St. Just, get it? ouch) trying to bring herself back into the real world, then I think it's fine. Some of the lines are still a bit uncomfortable, though.

On the fourth hand (I'm starting to look like some Asian 'deity' with all these arms), I showed these lyrics to my mother and asked her what she thought they meant. Her answer was a grimace and, "Nothing. They're just nonsense. But I bet  it has a pretty tune, and that's why it's in there." 

She's right--the tune is very pretty, indeed. I like the music on the earlier version best, but the new one with the harp is pretty, if it's not too slow.   

Listen to me, I have beautiful dreams I can spin you,
Dreams to linger within you
Close your eyes and we'll ride my carousel

(I love how she introduces it--makes it almost like a frame narrative)
I'll sing you stories of lovers whose love used to fill me
(or, she's going to tell us about her favorite literary couples)

For the lovers who will be

For, you see, love is one thing I do well

(I don't know what exactly this is supposed to mean, so I usually change it to 'one thing I know well," which reminds me of Don Quixote reading all those romances and then going crazy)Come, let's believe love can be just as sweet as it seems
Let's live on dreams!

In my dreams, such beautiful lovers have found me
Storybook lovers surround me
Nothing is real, but I'm flying, sighing
Where, where, where is my storybook ending?
Why does my golden pretending
Leave me with nothing to hold but my dreams? 

(this is probably my favourite verse--sort of a, "You mean Mr. Darcy isn't real?! What?!" moment--only it's not fair because she's married to Sir Percy...)

Oh, is it only in dreams that we find our ideal love?
Are there lovers with real love?
If you know how to feel love, show me how
Ah, but my prince, if you can't be as sweet as you seem
I'd rather dream
(this last line is, I think, the funniest)
Come and wake me!
Come be the love I can hold now
Storybook love leaves me cold now
Show me the way to stop dreaming
There is only one perfect storybook ending
That is the end of pretending
That is the moment I say, love me now! 

(this verse shows her wanting to escape her escapism, which is admirable. I just wish it were a bit more general than just romantic love)

And this is where you yell in French...

Et sur mon manege, l'amour toujours est chantant
De mes reves, c'est le commencement
Et j'espere une fin heureuse
Mais la fin de l'histoire ne vient pas tres doucement
Pour l'histoire, il faut faire semblant
Certes je n'embrasse que mes reves
Seuls mes reves!

(If you, like me, can't pronounce the words, just think of all the French words you do know, and arrange them to fit the meter. Then, yell them loudly with a French accent. An attempt might look something like this:

Bonjour, um, la chat, um, une deux trois...

Les poissons, au revoir la la la

um, les miserables, Enjolras, Gavroche...

um, Thenadier sounds French, um, une deux trois again, 

Chauvelin is...evil..umm...

les poissons...les poissons...

...you get the idea)

Overall, I can't help liking this song. Unfortunately, it is yet another thing that I have to like with a disclaimer (I have a very extensive list of those). I don't think it's worse than "Music of the Night," when interpreted at its worst, and it's probably better philosophically than "Vivez!" 

Plus, it's fun to yell in French.  

The Scarlet Pimpernel: The Story & the Songs, or the Really Really Long Post

~DISCLAIMER: until about a year ago I was under the delusion that all musicals were lovely, innocent, lighthearted, and generally child-friendly. Then I met Les Mis.If you have been in this happy, blissful state, I hate to break it to you, but most musicals are just like movies--some are happy, lovely stories, and others are dark, creepy, violent, or just inappropriate.

and Eponine adds, "You got that right."

Most fall somewhere in the middle, and TSP is one of these. I have never seen the entire musical, but I understand that there might be one or two scenes that are not Mary Poppinsish, that is to say, nice, in addition to a few words here and there that would have earned Bert a smack from the practically perfect nanny's umbrella. END OF DISCLAIMER~


All right. Now that the warnings are over, I think a brief plot summary is in order (based on the songs, on which my personal opinions will be following). I will mostly be working from the OBC album, with occasional references to the later versions. Here is someone else's much better synopsis that I am using because I am lazy.

Act I:
Overture: Time for everyone to sit down and get excited. Luckily, rather short and epic*.

Madame Guillotine: The (French) people are singing the song of angry men while they cut off aristos' heads. The Marquis de St. Cyr is not thrilled about this.**This number is very..effective. For some reason, everyone loves it--including myself--even though it's about, um, decapitation. As I said, it gets the point across.

DA...da da da da da...He's there, the phantom of the...guillotine...Wait, wrong musical.

Believe: Not the dumbest song on earth. It's so beautiful to listen to. I think I would like it better if it were in another language, so I wouldn't understand the (rather ridiculous) words. I mean, seriously, As waves lean on the sea/ My love, come lean on me?? I went to the beach last week and didn't see any waves leaning on the sea--and I looked very carefully. Crashing, yes, leaning, no. Well, the music's pretty!

Vivez!: I love the tune of this song. The words are very...ah, Romantic and French. Not happy-starry-eyed-sigh romantic, but like, well, the Romantics.

Prayer: It took me forever to listen to this song. It's hardly fast-paced. I think it works well in the setting, but *ahem* there's that little issue with the plot.

Into the Fire: Also know as The Percy Awesomeness Song. The best of the bunch.

Falcon in the Dive: this is my favourite of Chauvelin's (two)songs--except for That Word. I wouldn't put it past him, but was that really necessary? This song makes Chauvelin seem like Javert, only meaner. Apart from the fact that the whole falcon simile is cool, I like the tongue-twisters in the beginning and in the last verse...

When I Look at You: All right. I know it's sappy, but I love this song (apart from the warbling). It has pretty words, and expresses Marguerite's position pretty well.

The Scarlet Pimpernel: Oh dear. When I first heard this song, I couldn't make out half the lyrics, and thought it sounded funny. I made the mistake of listening too closely. Four letters--D-U-M-B.

Where's the Girl?: I call it the "Music of the Night Wannabe." 'Nuf said. Fun fact: the beginning of the line and I know she remembers how fearless she feels... sounds just like  and I know if I'll only be true to this glorious quest... from "The Impossible Dream." Have fun throwing M. Chambertin's romantic attempt awry by loudly changing songs at this point.

When I Look at You (Reprise): This song is titled "The Saddest Song Ever." I enjoyed letting forth pathetic-sounding romantic sobs during this song, until I discovered that if one stretches the old vocal cords one can sing along an octave higher, making it a duet!

The Creation of Man: This song is hilarious. If you're out to make a splash, cheri, do know your haberdashery! Brilliant! The words are ridiculous, but they're supposed to be. I call it "The Dandy Song"  Although later versions have That Coat in them...but we don't talk about those.

The Riddle: Reminiscent of "The Waltz of Treachery." Like Madame Guillotine, very effective. Am I the only one who thinks of Christine Daae on feel the terror draw ever nearer/the more you stare in the mirror ?

Act II

They Seek Him Here: I'm glad to have a tune for The Poem. The other verses, I could do without (and is it just me or is future George IV too intelligent in the musical, making up all those rhymes? whatever happened to, "as it were crystal clear...my dear"?).

Only Love: I hate to say it, but I very firmly feel this song is not an asset to the musical.  But I'd like to say a word on its behalf--"Only Love" makes me laugh. Not really. But between the weird melody and the, um, lyrics, I was glad to hear that this song was cut from the show. Sorry, Lainey. That doesn't keep me from warbling it in the shower, though.

She Was There: This is another song that took me a while to listen to all the way through. I'm glad I did, though, because it's really sweet.

Storybook: I have mixed feelings about this song. I'll probably do a post on it later this week.

Where's the Girl Reprise: Aka, "I See your True Colors Shining Through/and That's Why I Hate You so Now I'm Gonna Get You Executed...and Your Little Brother, Too." I believe that title may be longer than the actual song...

Lullabye: short, sad and sweet.

You Are My Home: Oh boy. First off, I can't stand Armand, so having him played by whoever that nasally guy was did not help. Second, there is no scene with Margot and Armand in prison inside that little paper thing over there that they call the book. The lyrics are not the most profound in the world. I do like, I will not walk away from you/I will not let you go... because I always yell to the singer (most often Lainey), "Sing like an ANGRY Frenchwoman!" I'm very easily amused.

Believe Reprise: Cute. More leaning waves. I imagine Percy and Margot passed out after holding that ridiculously long note. I doooooooooooo beliiiiiiiiiiiiiiieeeeeeeve iiiiiinnnn yooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooouuuuu.... you get the point.

Into the Fire Reprise: Since the lead couple has passed out, the League and the Leaguettes lead us in a lovely reprise of the Percy Awesomeness Song. Percy recovers enough breath at the last second to sing:
Into Fiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiirrrrrrrrrrrrrrrreeee...

...and all the Leaguettes smile and sing Onward, ho! before sighing happily and trying to revive poor Douglas Sills, who has fainted again. "What did 'e die of? Shortage o' bref?"

Overall a lovely listening experience.
 And, by the way, which do you think is the better Percy?
This...

or this...

Calm down, calm down. I'm just joking.

 *see my earlier definition of this word. This week I shall use this word quite a bit, to mean rousing, exciting, or even just loud. Odysseus-like, not so much.
**I will also use quite a bit of litote and understatement this week. You have been warned.

Celebrate Musicals Week: Tag

I'm not sure how well I'll do on posting, as I'm pretty busy, but here goes nothin'.

Yet Another Period Drama Blog

1.  What musical did you pick to "spotlight" this week and why?
I finally, after running through the numerous (5) musicals that I am well acquainted with, I decided...that is, I have almost made up my mind...to do 
The Scarlet Pimpernel
...mainly because Jess already took Oliver! and everyone is doing Les Mis. And I hardly know anything about Mary Poppins (as far as the play/songs/other casts go--on the movie I am quite the established authority). I just recently discovered this musical, and am quite ready to dissect it--and here was a chance to do so where others might get something out of it (?). 

2.  How did you discover the musical you picked (hereinafter referred to as "your musical")?
I read the book. And watched the one and only TSP '82.

And saw there was a musical. Keeping in mind that Mom can't stand Phantom and was tired of Les Mis, I thought it was time for some variety. Actually, I think it was the Song of Percy's Awesomeness that did it.

3.  If you had to pick three favorite songs from your musical, which ones would they be?
oooh, the hard one.
 "Into the Fire" is certainly my favourite (nice British u there) .
  "When I Look at You" ties with "The Riddle" for second place, and
"She Was There," and "Storybook" compete for third. 
"Madame Guillotine" is, shall we say, effective.
4.  What's your least favorite song from your musical?
Probably, oddly enough, "The Scarlet Pimpernel" for its general stupidity, but "Where's the Girl?" isn't lovely, either. I hate the portrayal of vice as being attractive and 'wordly,' but more on that later. Probably quite a bit more on that. "You are My Home," isn't the most intellectual song out there, either. 
5.  Who are your favorite characters (choose up to three)?
Well, Percy, Percy, and Percy, right? 
Oh. three different characters. Percy, Marguerite, and, um, not Chauvelin. 
Third try: Percy, Marguerite, and the Scarlet Pimpernel. There we go.
6.  Which versions of your musical have you seen/listened to, and which is your favorite?
I have never seen the entire musical, any version. I own the original Broadway cast recording; this is what I listen to. I've heard Rachel York's "Storybook" and the 'other Chauvelin's' "Falcon in the Dive." Of all the professional recordings I think the original Broadway cast's is my favourite; the VHS performance, or the snippets on Youtube, anyway, look great. Chauvelin is AMAZING.  This performance looks great (especially Marguerite) but I can't take the bad audio for more than a few minutes at a time. 
7.   Is this your favorite musical of all time?  If not, what is?
No--I love Les Mis. And Bach's St. Matthew Passion is kind of like a musical, isn't it?
8.   Which cast album/musical soundtrack in your collection do you listen to the most?
I listen to my siblings and friends hum it--our own special edition. Apart from that, the Original Broadway cast recording. 
9.   What is your favorite costume from your musical?
Oh, the costumes. I haven't seen many costumes from the musical itself, but I love, love, love Georgian costumes--even though, technically they should be early Regency costumes. And I hate, hate, hate Percy's Tiger-stripe tailcoat. The end.

I hate this coat.

Ugh. there's That Coat again.

10.  If you could change anything about your musical, what would you change?
(I am speaking of the storyline described in the album I own, not the newer version of the show)
That ridiculous Coat from "the Creation of Man." Come to think of it, I would cut/rearrange several songs, change the plot to be more like the book, and rewrite the entire script. Oh wait. I did (more on that later). 
11.  Which role(s) would you most like to play in any musical, if you had the opportunity to do so on stage?
oh boy. Eponine, obviously. I like what Miss Dashwood says, "Her songs are all within a comfortable mezzo range (no struggling with super-high notes),  she has one of the best solos in the history of theatre...she gets to die onstage and sing a heartbreaking duet while doing so, and she doesn't have to kiss anybody.  Wins all around."
Marguerite would be fun (obviously), depending on the version of the play (again, no super-high notes, if "Only Love" were cut(yes, Jessie, that does count as a high note). 
Unfortunately, in our impromptu plays I always wind up playing Sir Percy. And Jean Valjean. Oh well.

Me starring as Jean Valjean in a stirring rendition of "One Day More," although now it looks more like "Masquerade"

12.  If you could choose one performer to play any part in your musical, who would you choose and which part would you have him/her play? hmm. I love Marguerite from the Album I Own, but she's kind of warbley. I'm trying to think of someone who would be a great Marguerite but can't think of anyone professional. 

Best friends don't count, even if they are making lovely faces.

13.  Do you consider yourself a musical theatre fan in general or do you just like a few musicals?
Theatre is an art form, like any other, only more epic*.  It's dangerous/effective because it allows so much portrayal of emotion through randomly bursting into song (which is what makes it epic). Any further and we'll run into a Deep Thoughts post, which I don't have time for. I love the art form, and I love a few musicals. I just don't like musicals in general (if that makes any sense). I don't dislike musicals in general, though. :)
14.  Are you tired of the word "musical" yet?
um, to tell the sheepish truth, almost.
15.  Turn your music playing device on shuffle (or utilize Pandora if you don't have one) and tell us the names of the first three show tunes that come up-- no cheating!  How do these rank on your favorites/most-listened-to list?
"The Scarlet Pimpernel," Ironically enough. 
"I See the Light," which I'm not sure counts, but Jackie Evancho's rendition is sweet,
"Believe" which does not have the dumbest lyrics in the world (I keep telling myself this), from TSP, not The Polar Express.
The first song from the American Girl Revue also came on, but... 

*epic in the popular, almost meaningless sense of the word. Virgil, Dante, and Milton are really epic. Now, a musical of The Odyssey would be an epic epic.

Writing Tag

1. What was your first-ever piece of writing? My first ever story was a plagiarism of the story of Rapunzel. I think it was called "The Princess in the Tower" or something. I still have it...somewhere...
2. How old were you when you first began writing? 9, I think, is my first documentable attempt. I didn't enjoy writing until I was 11 or so.
3. Name two writing goals. One short term & one long term. Short term is to finish this Omnibus paper. Hehe. Long term--work on revising some of my short stories and possibly write a novel (I doubt the latter will ever be accomplished). 
4. Do you write fiction or non-fiction? the work I'm proudest of is non-fiction blended with enough fiction to keep it from being offensive to the main characters. Delicate work, that.
5. Bouncing off of question 4, what's your favorite genre to write in? I love writing fantasy--I blame that on too many Percy Jackson-esque books--but to to quote Mr. Knightley, "I'm not good at it." Reading LotR kind of discourages that...there's no way I can even develop a tiny bit of the detail Tolkien puts in his world in my so-so scribblings. Did I mention that I'm somewhat of a perfectionist? On the other hand, I love short stories--I don't have to work as much on plot development and can concentrate on the characters. Plus I hate writing endings and conclusions, and in a short story often I can put a weird twist at the ending in a way I couldn't in a novel. As I'm writing this I can't help but think of Jane Austen's play "The Mystery"  for some reason.
6. One writing lesson you've learned since 2013 began. Don't ever password protect your files without writing down the password. It's not fun to stare at that little blue box with the blinking cursor wondering what on earth the password is--after trying the title, all the main characters' names, places, themes, and random words. I shouldn't have to hack my own computer!
7.  Favorite author, off the top of your head! Jane Austen, because...well, she's Jane Austen--lighthearted, clever and very, very funny.
8. Three current favorite books.  Let's change this to "some enjoyable things I've read recently." Some of the stories I've read from the  Decameron, The Girl on the Boat, Only a Novel 
9. Biggest influence on your writing {person}: A person?  Hmm. Probably Dad and Mom. I have some fond memories of novel sending and editing with some of my friends quite a while ago. 
10. What's your go-to writing music? For schoolwork/studying I always listen to Orla Fallon's "Distant Shore." I have the Braveheart soundtrack and FotR and RotK complete recordings that I listen to when I want to feel epic.  For other writing, Celtic Woman's Believe and A New Journey is nice. And the TSP musical if I need to be distracted.
11. List three to five writing quirks of yours! Little habits, must-haves as you write, etc. Um. For one, I pull a Bilbo and never allow people to read things until they're somewhat finished ("Finished for what?" "Reading!"). I only use fountain and G2 Pilot pens if I can possibly manage it. I can't ever bring myself to work on something a little bit for a long time--I hole up with a notebook and don't emerge for several days or so.
12. What, in three sentences or less, does your writing mean to you? It's amusing and makes me think. When I start writing just what I think others will enjoy I'm usually not happy with the results.

Linking to Every Good Word